“Is the censorship, much less the destruction of art, abhorrent? Yes. Should people offended or outraged by an artwork or an exhibition mount protests? Absolutely. And might a museum have the foresight to frame a possibly controversial work of art through labels or programming? Yes, that, too. “
White Artist’s Painting of Emmett Till at Whitney Biennial Draws Protests
White free speech and white creative freedom have been founded on the constraint of others, and are not natural rights. The painting must go.” She added that “contemporary art is a fundamentally white supremacist institution despite all our nice friends.”
This article brings together many concepts from TOK including the role of sense perception and its connection to our emotions as well as the role of perspective in acquiring knowledge and the power of shifting perspectives.
“This article, by leading social entrepreneur Dr Alexandra Ivanovitch, explores how VR works in practice, the cognitive and psychological mechanisms underlying VR, and its potential application in the field of peacebuilding and conflict resolution. She reviews cutting-edge scientific research on how VR creates a “body ownership illusion” and “embodied cognition”, which help us transcend neurophysiological limitations inherent to our own point of view, and to adopt the perspective of another human being. The article also discusses experiments that show VR can reduce biases, build empathy and encourage prosocial behavior. Dr Ivanovitch calls for collaboration between technology, science and art to identify ways that immersive technology can be used to strengthen peace.”
Writing history is an act of interpretation based on the past. Creating art about history further separates past events from the final work.
What happens when an artwork tells a story that distorts an actual event? What if that “distorted” artwork communicates a historical “truth”?
Below is a famous image from a civil rights protest in Birmingham. The image tells a powerful story. It turns out that the actual events leading up to the image and the people involved tell a much different story than one we would infer simply by looking at the image.
There is a sculpture, based on the above image, that tells an even more dramatic story pictured below. What does it mean if the artwork, though powerful, does not accurately tell the actual story of the events it is depicting? What if it tells the truth of the brutality of the crackdown on the civil rights movement through inaccurately depicting an event? What does all this say about the power of artwork? The connection between history and art?
Below is a link to Malcolm Gladwell’s podcast that discusses these issues and is where I found this story.
I found another blog post discussing these issues in greater detail. Really interesting discussion as well in the comments section.
When the Truth Gets in the Way of the Story You Want to Tell
“Put simply, we don’t like complicated stories. We like our stories cleaned up and sanitized and well tailored for public consumption. We like heroic knights vs. evil villains. We like incorrigible racists and bigots vs. tolerant human rights champions. We like credulous believers vs. rational freethinkers. We like medieval jihadis vs. freedom fighters. We like damned vs. saved. We like lazy welfare sponges vs. hardworking taxpayers. We like sinners and saints and darkness and light and red and blue and black and white. And if reality doesn’t serve up the story that we want? If the truth turns out to be a bit blurrier and more inconvenient than we’d prefer? Well, we’ll just tell the story how we want to.”
“But it is increasingly clear that the mind is mainly drawn to the future, not driven by the past. Behavior, memory and perception can’t be understood without appreciating the central role of prospection. We learn not by storing static records but by continually retouching memories and imagining future possibilities. Our brain sees the world not by processing every pixel in a scene but by focusing on the unexpected.”
Why are people so reluctant to change their minds? This well-researched and well-presented cartoon delves into that very important question. It also helps elucidate the relationship between emotion and reason when our belief system is challenged.
“There is no scientific evidence that we are hardwired with emotions, says Lisa Feldman Barrett. They develop as we grow.”
“Emotions are thought to be a kind of brute reflex, very often at odds with our rationality. This internal battle between emotion and reason is one of the great narratives of western civilisation. It helps define you as human. Without rationality, you are merely an emotional beast. This view of emotions has been around for millennia. Plato believed a version of it. So did Hippocrates, Aristotle, the Buddha, René Descartes, Sigmund Freud and Charles Darwin. Today, prominent thinkers such as Steven Pinker, Paul Ekman and the Dalai Lama also offer up descriptions of emotions rooted in the classical view.
“And yet there is abundant scientific evidence that this view cannot possibly be true. Research has not revealed a consistent, physical fingerprint for even a single emotion. When scientists attach electrodes to a person’s face and measure muscle movement during an emotion, they find tremendous variety, not uniformity. They find the same variety with the body and brain. You can experience anger with or without a spike in blood pressure. You can experience fear with or without a change in the amygdala, the brain region tagged as the home of fear.”
People seem to believe that kids today engage in risky behavior at far greater rates than previous generations did but the research shows that the opposite is true. Teens today do drugs, drink alcohol, get pregnant, and smoke cigarettes at lower rates than other teens have for the past thirty years. At the same time, though, people don’t believe that is the case? Why is that?
Part of this is the amount of media attention and awareness that which creates an example of an availability bias. With 24 hour news coverage on multiple channels in addition to social media driving news consumption, sensational stories stand out in our minds and cause us to misperceive actual trends.
The causes of this are also connected to the same factors that cause humans to be very bad at judging risks. Scary stories overwhelm us and make us believe in incorrect ideas.
Below are some interesting resources that provide data which is not sensational but presents some truth on the subject matter.
Today’s Teens are more than alright
Today’s teens use less…than you did
The rapid decline in teen births is a huge public health success story
Teens doing better: Why don’t adults believe it?