‘They had us fooled’: Inside Payless’s elaborate prank to dupe people into paying $600 for shoes

Knowledge Questions: What role do expectations play in our sense perception? To what extent can our judgments be objective?

But the prank also points to a reality about the human mind: Consumers are not capable of discerning the quality and value of the things they buy, said Philip Graves, a consumer behavior consultant from Britain. Slap a fancy-sounding European label on $30 shoes, and you have an illusion of status that people will pay an exorbitant amount of money for.

https://www.washingtonpost.com/business/2018/11/30/they-had-us-fooled-inside-paylesss-elaborate-prank-dupe-people-into-paying-shoes/?utm_term=.dab90144f733

 

This is similar to a prank Penn and Teller did at a restaurant telling people they were drinking fine waters but were actually drinking water from a garden hose behind the restaurant.

 

Pearls Before Breakfast: Can one of the nation’s great musicians cut through the fog of a D.C. rush hour? Let’s find out.

A world famous violinist, Joshua Bell, set up to play in the middle of a busy train station in DC.

“Each passerby had a quick choice to make, one familiar to commuters in any urban area where the occasional street performer is part of the cityscape: Do you stop and listen? Do you hurry past with a blend of guilt and irritation, aware of your cupidity but annoyed by the unbidden demand on your time and your wallet? Do you throw in a buck, just to be polite? Does your decision change if he’s really bad? What if he’s really good? Do you have time for beauty? Shouldn’t you? What’s the moral mathematics of the moment?”

http://www.washingtonpost.com/lifestyle/magazine/pearls-before-breakfast-can-one-of-the-nations-great-musicians-cut-through-the-fog-of-a-dc-rush-hour-lets-find-out/2014/09/23/8a6d46da-4331-11e4-b47c-f5889e061e5f_story.html

Banksy Has Unannounced Art Sale with Genuine Signed Canvases in Central Park, Sells Almost Nothing

What is the value of artwork? How do we determine? Why did it matter whether people knew or didn’t know whether these were original works?

“For his 13th day in New York, Banksy pulled a fantastic prank on unsuspecting passersby in Central Park yesterday by setting up an unannounced art stall with dozens of 100% original signed canvases. In a world where copies of unlicensed Banksy works are available for a dime a dozen, it’s not inconceivable for somebody to peddle cheap knockoffs for $60 apiece. To further camouflage the artwork the booth was labeled simply “SPRAY ART” and manned by an unsuspecting old man who seemed completely uninterested in what he was doing.”

http://www.thisiscolossal.com/2013/10/banksy-art-sale/

What should happen to “offensive” artwork?

Knowledge Questions: What are the ethical limitations of artwork? To what extent are artists responsible for the reactions their work receives? What is the role of the audience in deciding the meaning of artwork? To what extent do the intentions of the artist matter in the interpretation of their work? What are the responsibilities of institutions in deciding what work is appropriate for display?

This is a topic that will never quite leave us. There are countless cases of “offensive” artwork and the reactions it gets. All of these provide great opportunities for TOK.

A Los Angeles School Planned to Whitewash a Mural That Offended Korean Activists—Until Shepard Fairey Stepped in to Defend It

(Photo credit should read MARK RALSTON/AFP/Getty Images)

 

Stanton’s work depicts the late actress Ava Gardner on a backdrop of blue and orange sun rays. It was targeted by Korean-American activists who complained that the sun-ray pattern is similar to that of the Japanese Imperial flag, which has become a symbol of the atrocities Japan committed before and during World War II, particularly in China and Korea. In response, the school district announced plans to cover it up. 

https://news.artnet.com/art-world/shepard-fairey-defends-beau-stanton-mural-1423192

Should Art That Infuriates Be Removed?

“Is the censorship, much less the destruction of art, abhorrent? Yes. Should people offended or outraged by an artwork or an exhibition mount protests? Absolutely. And might a museum have the foresight to frame a possibly controversial work of art through labels or programming? Yes, that, too. “

White Artist’s Painting of Emmett Till at Whitney Biennial Draws Protests

White free speech and white creative freedom have been founded on the constraint of others, and are not natural rights. The painting must go.” She added that “contemporary art is a fundamentally white supremacist institution despite all our nice friends.”

 

Met Defends Suggestive Painting of Girl After Petition Calls for Its Removal

“The Metropolitan Museum of Art will not remove a controversial painting by the French painter known as Balthus from public display.”

 

  • How do we determine whether art is “appropriate”?
  • How does context affect the meaning of art? Notice how the quote below makes mention of the “current climate.” Should the “current climate” affect what is allowed to be displayed in a museum?

“Given the current climate around sexual assault and allegations that become more public each day, in showcasing this work for the masses, The Met is romanticizing voyeurism and the objectification of children,” it reads.

160803093028-australian-artist-clinton-mural-super-169Is censorship of artwork ever appropriate? If so, under what circumstances?

“A controversial mural of Hillary Clinton will be allowed to remain after the artist modified it from depicting the politician in a revealing swimsuit to one where she is wearing a burqa instead.”

http://edition.cnn.com/2016/08/02/asia/australia-clinton-mural-artist-burqa/

Photograph that has attracted controversy for more than two decades attracts protests outside New York exhibition

http://www.theguardian.com/artanddesign/2012/sep/28/andres-serrano-piss-christ-new-york

THE LARGEST VOCABULARY IN HIP HOP

Literary elites love to rep Shakespeare’s vocabulary: across his entire corpus, he uses 28,829 words, suggesting he knew over 100,000 words and arguably had the largest vocabulary, ever.

I decided to compare this data point against the most famous artists in hip hop. I used each artist’s first 35,000 lyrics. That way, prolific artists, such as Jay-Z, could be compared to newer artists, such as Drake.

Screen Shot 2018-11-11 at 2.14.57 PM

https://pudding.cool/2017/02/vocabulary/index.html

AI can produce pictures, but can it create art for itself?

 

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Creativity is something we closely associate with what it means to be human. But with digital technology now enabling machines to recognize, learn from and respond to humans and the world — from digital assistant

s to driverless cars — an inevitable question follows: Can machines be creative? And will artificial intelligence ever be able to make art?

https://www.cnn.com/style/article/artificial-intelligence-ai-art/index.html

A 124-year-old statue reviled by Native Americans – and how it came down

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Art is in the eye of the community
So if the statue doesn’t provide an accurate idea of history, is it valid as a piece of public art? Jeff Hou, a professor of landscape architecture at the University of Washington, says no. He says the public realm is accountable to one audience – the public.

“In the public realm, works of arts and design are subject to the public process. In other words, the public can have a say in what’s appropriate in a public space in a democracy,” he told me.

https://www.theguardian.com/us-news/2018/sep/24/early-days-statue-removed-san-francisco-native-americans

Read my lips: the rise and rise of photo-editing

For my generation, editing your own image has become as routine as using social media. We grew up with airbrushing and Photoshop and saw the exposés of flawless magazine cover stars who weren’t flawless at all. Instead of rejecting the falsehoods we’ve made it part of our daily lives, crafting idealised digital versions of ourselves that feel like an essential corollary to real life. Technology has set a new standard for beauty that quite literally doesn’t exist in real life. Rather than reject that, we’ve embraced it.

https://www.1843magazine.com/style/read-my-lips-the-rise-and-rise-of-photoediting