“To write history is to fill our glass with water from the Thames and claim we have captured the river. This is as true of Jane Smiley as it is of Niall Ferguson, but the author of fiction makes no claim to objective truth or authority and so may be more true to our times.”
“Is the censorship, much less the destruction of art, abhorrent? Yes. Should people offended or outraged by an artwork or an exhibition mount protests? Absolutely. And might a museum have the foresight to frame a possibly controversial work of art through labels or programming? Yes, that, too. “
White Artist’s Painting of Emmett Till at Whitney Biennial Draws Protests
White free speech and white creative freedom have been founded on the constraint of others, and are not natural rights. The painting must go.” She added that “contemporary art is a fundamentally white supremacist institution despite all our nice friends.”
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Raises a lot of interesting questions about the role of context on the impact and meaning of works of art in addition to the role of museums and relationships between history and art.
“Not only are they dull and predictable, but the artistic skill of many of the big names in contemporary art is suspect. Behind the grandiose pieces and the attention grabbing works created purely for shock value lies a very important question: “Where is the skill and ability in all this?” No skill is required to place a rotting cows head in a glass cube with an insect-o-cutor (A Thousand Years by Damien Hirst). No ability is needed to set up a room with a light that switches on and off (Work No. 227: The Lights Going On and Offby Martin Creed, a work that won him the Turner Prize). It is most probably the case that the electrician who installed said lights and the abattoir worker who severed the cow’s head possess more skill and expertise than either Mr. Hirst or Mr. Creed.”
The show Thirteen Reasons Why raises some interesting issues regarding ethical responsibility of content producers and networks that broadcast content that may have “deleterious effects” on their viewers. This also raises interesting questions about the value and power of art.
A new study reveals that internet searches for suicide skyrocketed in the wake of the show’s release.
The question is whether this particular study, or any of the allegations that the show directly led to copycat suicides and suicide attempts, will be enough of an impetus for the show’s producers to respond. The study’s authors suggest that editing out the scene of Hannah Baker’s suicide from the show and adding information about suicide hotlines to episodes could immediately minimize some of 13 Reasons Why’s “deleterious effects.” Netflix’s response to the study, though, indicated no such moves would be forthcoming. “We always believed this show would increase discussion around this tough subject matter,” the company said in a statement. “This is an interesting quasi-experimental study that confirms this. We are looking forward to more research and taking everything we learn to heart as we prepare for Season 2.” Netflix declined interview requests from The Atlantic regarding the show.