Literary elites love to rep Shakespeare’s vocabulary: across his entire corpus, he uses 28,829 words, suggesting he knew over 100,000 words and arguably had the largest vocabulary, ever.
I decided to compare this data point against the most famous artists in hip hop. I used each artist’s first 35,000 lyrics. That way, prolific artists, such as Jay-Z, could be compared to newer artists, such as Drake.
Creativity is something we closely associate with what it means to be human. But with digital technology now enabling machines to recognize, learn from and respond to humans and the world — from digital assistant
s to driverless cars — an inevitable question follows: Can machines be creative? And will artificial intelligence ever be able to make art?
Art is in the eye of the community
So if the statue doesn’t provide an accurate idea of history, is it valid as a piece of public art? Jeff Hou, a professor of landscape architecture at the University of Washington, says no. He says the public realm is accountable to one audience – the public.
“In the public realm, works of arts and design are subject to the public process. In other words, the public can have a say in what’s appropriate in a public space in a democracy,” he told me.
For my generation, editing your own image has become as routine as using social media. We grew up with airbrushing and Photoshop and saw the exposés of flawless magazine cover stars who weren’t flawless at all. Instead of rejecting the falsehoods we’ve made it part of our daily lives, crafting idealised digital versions of ourselves that feel like an essential corollary to real life. Technology has set a new standard for beauty that quite literally doesn’t exist in real life. Rather than reject that, we’ve embraced it.
“The multiculturalist syllabus was shaped by a belief in relativism and its daughters. The multiculturalists hold that it is impossible to determine the very best works of literature humanity has produced, because there can be no objective standard of quality or merit. Thus, students should be guided to read texts from as diverse a field of authors as possible and to view texts as political artefacts and nothing else; they are to be understood as evidence of ‘identities,’ the prima facie reality of human life.”
“The timeless storytelling of Homer, the complex characters of Shakespeare, the unparalleled wit of Voltaire are all of enduring value. But in many ways these texts are also, in this context, tools for the sculpting of the human spirit. The multiculturalists were wrong to abandon this fundamental goal 30 years ago, and they are wrong to abandon it now. Education must be more than a mere scavenger hunt for instances of oppression, cruelty, and hatred. It must ask how each of us can live better. The multicultural canon offers the voices of more individuals, but fewer opportunities for the student to look beyond the polis and into his own being.”
Interesting local story that raises interesting questions about the nature of art and how society views different media. Though it has gained more widespread appreciation, graffiti is still not viewed as other art forms are. Also interesting to note that the law protects art of “recognized stature” and that term requires interpretation and depends greatly on what society in general defines as art.
The case marked the first time a court has been asked to determine whether graffiti — with its ephemeral nature — should be considered art protected under federal law, according to a court opinion. It weighed a property owner’s rights against the rights of visual artists — in a city where the powerful real estate and art worlds are constantly at odds.
Decrying Real Estate Developer’s ‘Insolence,’ Judge Awards Street Artists $6.7 Million in Landmark 5Pointz Case
In the lawsuit, the artists alleged that their rights had been violated under the Visual Artists Rights Act (VARA). The case was closely watched by artists, copyright experts, and property owners alike because it is extremely rare for VARA cases to come to trial. The law protects works of “recognized stature”—but even experts admit the term is vague and subject to broad interpretation. In this case, the judge seemed convinced that the now-erased graffiti mecca was of historic importance. Art expert Renee Vara, who testified in support of the artists, noted that the decision was significant because it recognized that “artists can be self-taught or academically trained.”