Crafty yoghurts: can your tastebuds be tricked? – video

Studies have proven that colour plays a vital role in setting our expectations of taste and flavour in foods. But what happens when colour defies expectation? We put food colouring into vanilla yoghurt and challenged people to guess the flavour. Will they all be duped or might someone see through our ruse?

 

A professional interpreter’s job isn’t as simple as you think

“For example, in 1956, Soviet leader Nikita Khrushchev was translated as telling Western ambassadors, “We will bury you.” But what Khrushchev actually meant was, “We will live to see you buried,” meaning that communism will outlast capitalism. That’s still not a very nice thing to say, but not quite the death threat it was initially understood as.”

http://www.vox.com/2016/6/12/11902592/interpreter-how-to-become?utm_medium=social&utm_source=twitter

How miscommunication happens (and how to avoid it

“Have you ever talked with a friend about a problem, only to realize that he just doesn’t seem to grasp why the issue is so important to you? Have you ever presented an idea to a group, and it’s met with utter confusion? What’s going on here? Katherine Hampsten describes why miscommunication occurs so frequently, and how we can minimize frustration while expressing ourselves better.”

Video: Fermat’s Last Theorem

“In June 1993 he reached his goal. At a three-day lecture at Cambridge, he outlined a proof of Taniyama – and with it Fermat’s Last Theorem. Wiles’ retiring life-style was shattered. Mathematics hit the front pages of the world’s press. Then disaster struck. His colleague, Dr Nick Katz, made a tiny request for clarification. It turned into a gaping hole in the proof. As Andrew struggled to repair the damage, pressure mounted for him to release the manuscript – to give up his dream. So Andrew Wiles retired back to his attic. He shut out everything, but Fermat.”

(Click on the image to view documentary)

NAVIGATING BY FEEL: Polynesian Maps and Navigation

Polynesian Maps

“The Polynesians, scattered as they are over islands across the central and southern Pacific Ocean, are master navigators who tracked their way over a huge expanses of ocean without any of the complex mechanical aids we associate with sea navigation. They didn’t have the astrolabe or the sextant, the compass or the chronometer. They did however have aids of a sort, which though seemingly humble, were in fact the repositories of an extremely complex kind of knowledge. They are called Rebbelibs, Medos. and Mattangs.”

http://kurungabaa.net/2010/07/12/navigating-by-touch/

Below is a documentary about the Polynesians as well.

 

Here’s Why You Should Stop Saying ‘I Could Do That’ About Art As in, “Hey, what’s with that piece of conceptual art. I don’t get it. Like, I could do that.”

“So you look at a work of art and think to yourself, I could have done that. And maybe you really could have, but the issue here is more complex than that — why didn’t you? Why did the artist? And why does it have an audience? We delve into it by looking at work by artists like Felix Gonzalez-Torres, Piet Mondrian, and Cy Twombly, among others. You might find it’s not quite as simple as you think.”

http://www.huffingtonpost.com/entry/heres-why-you-should-stop-saying-i-could-do-that-about-art_55e9a2d2e4b002d5c075b9c6

“Green uses the work of artist Piet Mondrian as an example. She prompts you to really contemplate creating the smooth, balanced, crisp lines of his De Stijl paintings. Could you map out the framework of “Composition II in Red, Blue, and Yellow,” mix the paint colors, and painstakingly apply the oil on canvas? Could you then hand over the artwork to a gallerist, curator or buyer, and await the criticism that will inevitably come your way? Could you defend and explain your decisions to writers and curious observers, maybe even ponder the idea of questioning your own motives and engaging in real conversations about what it means to express yourself, your ideas or the ideas and perspectives of others in creative ways?”