“The map is not the territory” especially with NYC Subway maps

The quote, “The map is not the territory,” demonstrates a profound thought, and also a useful prompt for the TOK class. Before getting into connections between the quote and idea of models and metaphors, I wanted to put together a lesson on NYC subway maps (my school is in NYC). While doing so, I came across a bunch of different, and lovely, maps, each with its own representation of “reality.”

Click each image for a full size file.

1. Modern Day Subway Map

This is the map you see posted on the trains and subway platforms.

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2. “Accurate Subway Map”

This map includes more accurate representations of distance and other features. Notice also it is more accurately oriented according to a traditional North-South map axis. The one above unintentionally (intentionally?) reorients the map around Manhattan.

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3. NYC Station Map

This map focuses on the subway lines themselves and erases all other features.

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4. 1972 Massimo Vignelli Map

Much has been written about this map and the response it got. It put into practice the design principles (started in the London Underground Map designed by Harry C. Beck) that are used in many of the world’s systems. This map, though, did not receive a particularly positive reaction and was soon abandoned.

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If you’re interested in this topic, you can find a lot more maps and more information at: https://www.nycsubway.org/wiki/New_York_City_Subway_Track_Maps  (Click on the “Maps” tab at the top of that page).

 

 

‘Lone wolf’ or ‘terrorist’? How bias can shape news coverage

“Another decision: describing the attack that authorities say was committed by Stephen Paddock, a 64-year-old white man, as a “mass shooting” rather than “domestic terrorism.” When a Muslim person mows down innocent victims and terrorizes a community, media and authorities are quick to declare it terrorism; when a white, non-Muslim attacker does the same, he is usually described as a disturbed loner in a freak incident. In both cases, journalists arrive at these conclusions early in the news cycle when information is incomplete. (Official statistics show far more terrorism in the U.S. is committed by white men than by Muslims).”

https://www.poynter.org/news/lone-wolf-or-terrorist-how-bias-can-shape-news-coverage

Using virtual reality to promote empathy

This article brings together many concepts from TOK including the role of sense perception and its connection to our emotions as well as the role of perspective in acquiring knowledge and the power of shifting perspectives.

“This article, by leading social entrepreneur Dr Alexandra Ivanovitch, explores how VR works in practice, the cognitive and psychological mechanisms underlying VR, and its potential application in the field of peacebuilding and conflict resolution. She reviews cutting-edge scientific research on how VR creates a “body ownership illusion” and “embodied cognition”, which help us transcend neurophysiological limitations inherent to our own point of view, and to adopt the perspective of another human being. The article also discusses experiments that show VR can reduce biases, build empathy and encourage prosocial behavior. Dr Ivanovitch calls for collaboration between technology, science and art to identify ways that immersive technology can be used to strengthen peace.”

http://www.centerforempathy.org/virtual-reality-the-frontier-of-peacemaking/

History and Art: The Story of “The Foot Soldier of Birmingham”

Writing history is an act of interpretation based on the past. Creating art about history further separates past events from the final work.

What happens when an artwork tells a story that distorts an actual event? What if that “distorted” artwork communicates a historical “truth”?

Below is a famous image from a civil rights protest in Birmingham. The image tells a powerful story. It turns out that the actual events leading up to the image and the people involved tell a much different story than one we would infer simply by looking at the image.

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There is a sculpture, based on the above image, that tells an even more dramatic story pictured below. What does it mean if the artwork, though powerful, does not accurately tell the actual story of the events it is depicting? What if it tells the truth of the brutality of the crackdown on the civil rights movement through inaccurately depicting an event? What does all this say about the power of artwork? The connection between history and art?

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Below is a link to Malcolm Gladwell’s podcast that discusses these issues and is where I found this story.

 

Update (9/17/17)

I found another blog post discussing these issues in greater detail. Really interesting discussion as well in the comments section.

When the Truth Gets in the Way of the Story You Want to Tell

“Put simply, we don’t like complicated stories. We like our stories cleaned up and sanitized and well tailored for public consumption. We like heroic knights vs. evil villains. We like incorrigible racists and bigots vs. tolerant human rights champions. We like credulous believers vs. rational freethinkers. We like medieval jihadis vs. freedom fighters. We like damned vs. saved. We like lazy welfare sponges vs. hardworking taxpayers. We like sinners and saints and darkness and light and red and blue and black and white. And if reality doesn’t serve up the story that we want? If the truth turns out to be a bit blurrier and more inconvenient than we’d prefer? Well, we’ll just tell the story how we want to.”

https://ryandueck.com/2017/07/06/when-the-truth-gets-in-the-way-of-the-story-you-want-to-tell/