Thousands Once Spoke His Language in the Amazon. Now, He’s the Only One.

“Amadeo said it haltingly, in broken Spanish, the only way he would be able to communicate with the world from that moment on. No one else spoke his language anymore. The survival of his culture had suddenly come down to a sole, complicated man.”

“The waters of the Peruvian Amazon were once a vast linguistic repository, a place where every turn of the river could yield another dialect, often completely unintelligible to people living just a few miles away. But in the last century, at least 37 languages have disappeared in Peru alone, lost in the steady clash and churn of national expansion, migration, urbanization and the pursuit of natural resources. Forty-seven languages remain here in Peru, scholars estimate, and nearly half are at risk of disappearing.”

H.G. Wells vs. George Orwell: Their Debate Whether Science Is Humanity’s Best Hope Continues Today

 

“In 2013, biologist Richard Dawkins justified confidence in science in these terms: “Science works. Planes fly. Cars drive. Computers compute. If you base medicine on science, you cure people. If you base the design of planes on science, they fly. It works….” On the other hand, Nobel laureate Peter Medawar famously argued that there are many important questions that science cannot answer, such as, “What is the purpose of life?” and “To what uses should scientific knowledge be put?”

“Confronting challenges such as climate change and feeding the 2 billion people who lack a reliable source of food, it might be natural to regard science as humanity’s only hope. But expecting from science what it cannot deliver is just as hazardous as failing to acknowledge its great potential.”

https://www.scientificamerican.com/article/h-g-wells-vs-george-orwell-their-debate-whether-science-is-humanitys-best-hope-continues-today/

The Mapping of Massacres: In Australia, historians and artists have turned to cartography to record the widespread killing of Indigenous people.

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Really interesting article that gets into the importance of history and why we fight over it. In addition, how do we acquire knowledge of the past? In doing this project, the lead historian has to distinguish between the massacres based on the strength of evidence to support their happening. What is also interesting is what kind of evidence was used. Should indigenous oral histories be counted on? Or only traditionally western accounts such as newspapers? This argument plays out in the United States as well.

Lastly, rather than writing a book, the research was presented on a map. Why does the impact of this information feel different when presented visually rather than verbally? What does this tell us about the power of art when learning about history?

“In many Indigenous communities, art works have long had dual functions as historical sources, as repositories of cultural or spiritual knowledge, and as maps of territory. There is an established tradition of mapping massacre sites through art, as in the acclaimed paintings by the Aboriginal artists Rover Thomas, Queenie McKenzie, and Rusty Peters, among others. Watson wanted viewers of her video to be aware that any map is a slippery, contested artifact, and also to have a bodily response to the work. She told me the story of one of her relatives, who, after viewing the video, turned to her in anguish, saying, “Where wasn’t there a massacre?””

https://www.newyorker.com/culture/culture-desk/mapping-massacres

It may be good fun, but it’s not always good history

“Screenwriters interpret historical events to entertain, but to make up facts shows a lack of responsibility”

“Naturally, there are risks to taking in your history alongside your entertainment. There’s only one take on offer and popular historical depictions very much tend to play to the mores of the time. The dark side of Britain’s colonial past has long been papered over in our popular culture. The boundary between popular history and propaganda can sometimes be fuzzy.

“But to what extent is there ever such a thing as “pure” history, anyway? This is a theme eloquently explored by Mantel in this year’s Reith lectures. Confronting pupils with conflicting source material is one of the first lessons of grownup history: there is no one “true” interpretation of events. Historians may engage in an admirable search for the truth, but no historian can claim to present a neutral account: even if they stick to bone-dry facts corroborated by multiple sources, picking which ones to use is in itself interpretation.”

https://www.theguardian.com/commentisfree/2017/dec/31/it-may-be-good-fun-but-its-not-always-good-history-the-crown

 

Why We ‘Hear’ Some Silent GIFs

“The act of hearing a visual highlights the trippy fact that our senses do not operate the way we often assume, with crisp boundaries between them. Smelling, hearing and tasting all “speak to each other and influence each other, so little things like the color of the plate you’re eating on can influence how food tastes,” said Mr. Fassnidge.”

The 12 Most Controversial Facts In Mathematics

Screen Shot 2017-12-09 at 7.52.49 PM.png“Mathematics has little surprises that are designed to test and push your mental limits The following 12 simple math problems prove outstandingly controversial among students of math, but are nonetheless facts.

“They’re paradoxes and idiosyncrasies of probability. And they’re guaranteed to start an argument or two. If you’re looking for a mathematical way to impress your friends and beguile your enemies, here’s a good place to start.”

https://www.businessinsider.com/the-most-controversial-math-problems-2013-3#-1

Met Defends Suggestive Painting of Girl After Petition Calls for Its Removal

“The Metropolitan Museum of Art will not remove a controversial painting by the French painter known as Balthus from public display.”

  • How do we determine whether art is “appropriate”?
  • How does context affect the meaning of art? Notice how the quote below makes mention of the “current climate.” Should the “current climate” affect what is allowed to be displayed in a museum?

“Given the current climate around sexual assault and allegations that become more public each day, in showcasing this work for the masses, The Met is romanticizing voyeurism and the objectification of children,” it reads.

Replication in the Human Sciences. Radiolab Podcast: Sterothreat

“Back in 1995, Claude Steele published a study that showed that negative stereotypes could have a detrimental effect on students’ academic performance. But the big surprise was that he could make that effect disappear with just a few simple changes in language. We were completely enamored with this research when we first heard about it, but in the current roil of replications and self-examination in the field of social psychology, we have to wonder whether we can still cling to the hopes of our earlier selves, or if we might have to grow up just a little bit.”

http://www.radiolab.org/story/stereothreat/